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  • A great part of Georgian society is cut off from the art scene. This happens because the less prosperous segment of the country’s tiny population cannot sustain a sufficiently large art market.

  • As a result, art stays reliant  on funding from a limited number of local government bodies or large corporations, international donors, or a narrow circle of local or foreign collectors.  This in turn shapes the priorities on the art market. 

  • The majority of the population remains excluded from the process, both in terms of resources and ideology. Consequently, there is neither widespread expectation nor a demand for high-quality art. In response, most artists do not perceive this segment of society as an addressee for their art.

  • We believe that this gap between art and society is ruinous for both, as none of them can develop in isolation from the other. We also believe this situation will not change by itself, unless we make conscious steps to make it happen. This will require time and effort, but it has to be done.

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